Charlie, northern exposures

Dad loved landscapes and believed the best ones showed some touch of mankind. “God made the earth for man,” he would say, “so a nature photograph that doesn’t show the hand of man is like a half empty cup.”

While he did not consider himself a portrait photographer, his portraits seem remarkably honest and revelatory to me. His subjects were often strangers to him and many times they did not even speak his language. Yet somehow he disarmed them and they stood there before him willing and transparent. Nobody could pretend before his lens; nobody wanted to.


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